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[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.27.8″ _module_preset=”default” background_color=”#000000″ custom_padding=”4px|||||” hover_enabled=”0″ collapsed=”on” global_colors_info=”{}” sticky_enabled=”0″][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width=”100%” max_width=”none” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||4px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_slider _builder_version=”4.27.4″ _module_preset=”default” background_enable_image=”off” custom_padding=”339px||478px|||” animation_style=”fade” auto=”on” global_colors_info=”{}”][et_pb_slide _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/banner-central.webp” background_enable_image=”on” global_colors_info=”{}” sticky_transition=”on”][\/et_pb_slide][et_pb_slide _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/banner-central1.webp” background_enable_image=”on” global_colors_info=”{}” sticky_transition=”on”][\/et_pb_slide][et_pb_slide _builder_version=”4.27.4″ _module_preset=”default” background_image=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/banner-central3.webp” background_enable_image=”on” global_colors_info=”{}” sticky_transition=”on”][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.24.2″ _module_preset=”default” width=”90%” max_width=”2000px” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/EH-1.webp” title_text=”EH-1″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”20%||||false|false” scroll_scaling_enable=”on” scroll_scaling=”0|100|100|100|80%|100%|100″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/EH_2024-263.webp” title_text=”EH_2024-263″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”|-40%|||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/EH-103.webp” title_text=”EH-103″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”40%||||false|false” scroll_vertical_motion_enable=”on” scroll_vertical_motion=”0|50|50|100|1|0|-1″ locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.emilianohasan.com\/wp-content\/uploads\/2025\/11\/EH-11.webp” title_text=”EH-11″ _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”60%||||false|false” scroll_fade_enable=”on” scroll_fade=”0|100|100|100|40%|100|100″ locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”About” module_id=”bio” _builder_version=”4.27.0″ _module_preset=”default” collapsed=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” width=”90%” max_width=”2000px” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”a6936643-0c74-49d0-a3d1-ba4668aec2d1″ global_colors_info=”{}”]<\/p>\n

.bio<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.27.0″ _module_preset=”default” width=”90%” max_width=”2000px” custom_padding=”0px|||||” animation_style=”fade” scroll_fade_enable=”on” scroll_fade=”0|50|74|100|0|100|0%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.24.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”433f7704-99e3-43ec-834f-8ed2e841f26d” global_colors_info=”{}”]<\/p>\n

N\u00e9 en Argentine, il se forme en tant qu\u2019ing\u00e9nieur, ce qui lui permet de s\u2019installer en France en 2013. Son amour pour le th\u00e9\u00e2tre lui ouvre les portes en 2015, o\u00f9 il d\u00e9couvre diff\u00e9rentes formes artistiques, notamment la com\u00e9die et le monologue, avec <\/span>“Ni proph\u00e8te ici, ni l\u00e0-bas”<\/b>, un monologue inspir\u00e9 de son pr\u00e9sent, qu’il \u00e9crit et interpr\u00e8te.<\/span><\/p>\n

En 2017, il rejoint le groupe d’entrainement th\u00e9\u00e2tral de la Cit\u00e9 Universitaire, dirig\u00e9 par Romina Ardalla, ou il se forme et joue dans diff\u00e9rents projets m\u00ealant th\u00e9\u00e2tre et chant, tels que <\/span>“Babilonia”<\/b> (2018),\u00a0 diff\u00e9rents projets de micro-th\u00e9\u00e2tre (2019-2020), et la com\u00e9die musicale <\/span>“Choses qui comptent”<\/b> (2023-2024).\u00a0<\/span><\/p>\n

En 2020, il joue dans la pi\u00e8ce th\u00e9\u00e2trale <\/span>“Buen Camino”<\/b> au Pandora, une aventure qui se prolonge avec deux tourn\u00e9es en Aveyron en 2021 et 2022 avec la cie le chant des \u00e9toiles.<\/span><\/p>\n

Poursuivant sa qu\u00eate de r\u00f4les vari\u00e9s qui lui permettent d’explorer une palette de jeu plus large, il incarne Gladys, une femme trans professeure de sport, dans la pi\u00e8ce <\/span>“Acassuso”<\/b> (2024), qui aborde l’actualit\u00e9 d’une \u00e9cole, ses enseignantes, et les d\u00e9fis d’un syst\u00e8me \u00e9ducatif et d’une \u00e9conomie social pr\u00e9caire.<\/span><\/p>\n

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En 2018, il entame une reconversion totale vers l\u2019artistique et commence sa formation \u00e0 l\u2019\u00e9cole-th\u00e9\u00e2tre Le Samovar, qu’il termine en 2022.<\/span><\/p>\n

Depuis 2021, il poursuit ses \u00e9tudes de musique, de chant lyrique et de jazz au conservatoire de Bagnolet.<\/span><\/p>\n

En 2023, il joue le r\u00f4le de Jonas Gutierrez dans le court-m\u00e9trage <\/span>“Fi\u00e8vre”<\/b> de Christophe Fressard. En 2024, il d\u00e9croche le r\u00f4le principal de Charly dans <\/span>“La Poursuivante”<\/b> de Nicanor Montes, ainsi que le r\u00f4le d’Antoine dans <\/span>“Une Partie de Poker”<\/b> de Clara Bruneau.<\/span><\/p>\n

En 2023, il obtient \u00e9galement le r\u00f4le de Gabriel Mendoza dans le dernier film prim\u00e9 \u00e0 Cannes de Jacques Audiard, <\/span>“Emilia Perez”<\/b>.<\/span><\/p>\n

En 2024, il collabore avec Luc Besson et Olivier Marchal sur leurs derniers projets artistiques, ainsi qu\u2019avec Louis Farge dans la s\u00e9rie <\/span>“Culte”<\/b>, diffus\u00e9e sur Amazon Prime \u00e0 partir d\u2019octobre.<\/span><\/p>\n

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.CV<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”bb07d3ee-0d13-42fa-b8ce-484fb7bcfa98″ width=”90%” custom_margin=”||10px||false|false” global_colors_info=”{}”]<\/p>\n

CIN\u00c9MA\u00a0 \/ FICTION\u00a0
2026 Le Silence des Lucioles. <\/b>R\u00e9al: Christophe Fressard. R\u00f4le: Eric. Court-m\u00e9trage
2024 Emilia Perez<\/a>. R\u00e9al: Jacques Audiard. R\u00f4le: G.Mendoza. Long-m\u00e9trage<\/span>
2024 Culte. R\u00e9al: Louis Farge. Petit r\u00f4le: L\u2019espagnol en costard. Fiction
<\/span><\/b>2024 Une Partie de Poker. <\/b>R\u00e9al: Clara Bruneau. R\u00f4le: Antoine. Court-m\u00e9trage
<\/span>2024 La Poursuivante. <\/b>R\u00e9al: Nicanor Montes. R\u00f4le principal: Charly. Court-m\u00e9trage<\/span>
2023 Fi\u00e8vre. R\u00e9al: <\/b>Christophe Fressard. Petit r\u00f4le: J.Gutierrez. Court-m\u00e9trage<\/b><\/span><\/p>\n

<\/b><\/p>\n

<\/b>VOIX-OFF
<\/b>2026 Cit\u00e9 des Enfants.<\/strong> Fiction Sonore. DA: Nathalie Mattera. R\u00e9cit.
2024 Une Guitare a\u0300 la Mer<\/strong>. Voix Off. DA: C\u00e9line Ront\u00e9. Long-m\u00e9trage anim\u00e9.
2023 L\u2019Abb\u00e9 Pierre. <\/strong>Voix Off. DA: Christine Seznec. Enregistrements sonores. Long-m\u00e9trage
2020 Domar<\/strong>. Voix Off. R\u00e9al: Alcibiade Cohen. Court-m\u00e9trage.<\/b><\/p>\n

TH\u00caATRE \/ CLOWN
<\/b>2024-2026. Com\u00e9dien. <\/b>Pavillons de Bercy. Paris
2024 Acassuso. Th\u00e9\u00e2tre. <\/b>Maison d\u2019Argentine, Cite\u0301 U. Paris
<\/span>2023-2024 Les Choses qui Comptent. <\/b>Musical Jeune public. <\/b>Maison d\u2019Argentine, Cite\u0301 U. Paris
<\/span>2022 17 Clowns moins trois. <\/b>Spectacle de Rue. <\/b>Festival d\u2019\u00e9t\u00e9 – Le Samovar.\u00a0
<\/span><\/span>2020-2022\u00a0<\/b>Buen Camino : Vogue la Gale\u0300re jusqu\u2019a\u0300 Compostelle. <\/b>Cie le Chant des Etoiles. Paris |<\/span>Aveyron.
<\/span><\/span>2019 L\u2019animal Imaginaire. Ch\u0153ur animal. <\/b>Vale\u0300re Novarina. The\u0301a\u0302tre La Colline. Paris.
<\/span><\/span>2018 <\/b>Babilonia, Una hora entre criados. <\/b>Maison d\u2019Argentine, Cite\u0301 U. Paris
<\/span>2016 Esperando la Carroza. <\/b>Cie Sol de Mayo. Montreuil.\u00a0<\/span>
<\/span><\/p>\n

FORMATION
<\/b>2020-2022 <\/b>Formation professionnelle. Artiste Clown. Le Samovar, Bagnolet.
<\/span>2022 <\/b>Stage Clown dans le mouvement, po\u00e9sie, th\u00eaatre et le cirque. Cristina Moreira. Argentine
<\/span>2022 <\/b>Stage Burlesque corporel. Boris Lafitte. Le Samovar.
<\/span>2021 <\/b>Stage action et pr\u00e9cision rythmique du Clown. Gabriel Cham\u00e9. Madrid. Espagne.
<\/span>2020 <\/b>Stage Voix Chant\u00e9 et Clown. Daphn\u00e9 Clouzeau. Le Samovar.
2019 <\/strong>Stage Cin\u00e9ma: Construction du personnage \u00e0 partir de la neutralit\u00e9. Norma Angeleri. Paris<\/span><\/span><\/p>\n

INT\u00c9R\u00caTS – AUTRES FORMATIONS
<\/b>2019-2026 <\/b>Chant lyrique et jazz. Conservatoire E.Sati\u00e9.
<\/span>2023-2025 <\/b>Espace d\u2019entrainement th\u00e9\u00e2tral. Cit\u00e9 Universitaire<\/span>.
<\/span>2021-2022 <\/b>Basse Electrique, Musiques actuelles. Conservatoire E.Sati\u00e9.
<\/span>2019-2021 <\/b>Ateliers de BMC et m\u00e9thode Feldenkrais.
<\/span>2020-2021 <\/b>Ateliers de Tango Argentin.
<\/span>2020-2022 <\/b>Cours particuliers de basse \u00e9lectrique.
<\/span>2018-2019 <\/b>Atelier Clown. Le Samovar.
<\/span>2018-2020 <\/b>Atelier Acrobaties-A\u00e9rien. Cirque Electrique
<\/span>2017-2020 <\/b>Espace d\u2019entrainement th\u00e9\u00e2tral. Cit\u00e9 Universitaire<\/span>.
<\/span>2016-2019 <\/b>Chant Chorale – Musiques du monde. Cit\u00e9 Universitaire.
<\/span>2015-2016<\/strong> Espace d\u2019entrainement th\u00e9\u00e2tral.<\/span> Cie Sol de Mayo. Montreuil.\u00a0<\/span><\/p>\n

COMPETENCES\u00a0<\/b><\/p>\n

Baritone: Chant Lyrique, Jazz, Rock
Improvisation
Course \u00e0 Pied, V\u00e9lo, Souplesse
Excellente capacit\u00e9 physique
Langues: Fran\u00e7ais, Espagnol, Anglais
Notions de percussion et tr\u00e8s bon niveau de basse \u00e9lectrique
Niveau expert autour des sujets en technologie, informatique, \u00e9lectronique.<\/p>\n

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.bioN\u00e9 en Argentine, il se forme en tant qu\u2019ing\u00e9nieur, ce qui lui permet de s\u2019installer en France en 2013. Son amour pour le th\u00e9\u00e2tre lui ouvre les portes en 2015, o\u00f9 il d\u00e9couvre diff\u00e9rentes formes artistiques, notamment la com\u00e9die et le monologue, avec “Ni proph\u00e8te ici, ni l\u00e0-bas”, un monologue inspir\u00e9 de son pr\u00e9sent, qu’il […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":7,"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":256,"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/pages\/51\/revisions\/256"}],"wp:attachment":[{"href":"https:\/\/www.emilianohasan.com\/index.php\/wp-json\/wp\/v2\/media?parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}